Also, the virtual overviews of the machine have begun with the next one scheduled on October 27. This is a wonderful way to learn more about the 8 Series from a BERNINA of America educator in the form of a Power Point presentation. All you have to do is register for the newsletter on www.bernina8series.com and you will automatically be sent information with a link on how to participate and learn more about this great machine virtually. You can hear and see it all on your computer - it doesn't cost a thing except a little bit of time (about an hour). I'll also remind you in the weeks to come!

You've been sending me questions asking about the vital statistics of the 8 Series machines - wanting to know measurements and standard accessories...and how many of the exclusive, gorgeous one-piece presser feet come with the 830? Some of you are beginning to map out where you will put this machine in your sewing room. Please see the dimensions of the machine and a list of accessories and BERNINA presser feet (including the magical BERNINA Stitch Regulator) that come standard with the 830. That should keep you dreaming for another week!

Next week - join me as we "Create with 8"! Until then...keep anticipating!

All you need is some soft, cozy cotton flannel in your choice of print or color (1 yard will do, but buying 1 1/4 yards makes the blanket into a perfect square). Step one, finish all four sides with a 1/2" hem; turn under and press 1" of fabric to the wrong side, then turn under and pin.

Step two, stitch along the edge to hem up the blanket using a straight stitch or a fancy, decorative stitch. If you're using a super-cool print or you want a plain blanket, then you're done! This is a blanket I made with a tea set design print, and I used the lettering stitch feature on my Bernina to add a little message to the hem.

These blankets are also great for embroidery! Here's a blanket I'm putting together for a Bernina project (which I'll let you in on a little later), using Oklahoma Embroidery Supply and Design's pack #12195 Baby 12.

And you don't have to stick to baby designs. This blanket is embroidered with a Hope Yoder design, Nashville Lace. I changed the thread colors to different shades of pink, and the corner will be perfect for a monogram (when we finally decide on a name!).

When embroidering on flannel, use a polymesh cut-away stabilizer next to the fabric - it will help to keep the stitching from distorting through many washes, and it will stay nice and soft for cuddling. It's also a good idea to use Isacord polyester thread on these blankets since it is made to be tough and colorfast. And most of all, have fun creating your one-of-a-kind gift that will surely be treasured and cuddled for a long time to come.

Absolute check is an embroidery feature that 'checks' the position of the design as you touch the image of the design on the screen. For example, if you are placing a design on a project and you want to know exactly where each part of the design will sew out on the project, you touch the screen with your finger or touch pen and the needle moves to that position. There is no more check box. Absolute Check is amazing, it is accurate and it is fast.

So, for example, if I were embroidering a clown on a child's shirt and wanted to make sure that the big red nose exactly covered the dime-size grape juice stain, I'd use Absolute Check to move the needle around the outline of the nose and see if the entire stain were covered. Or, if I were stitching a delicate heirloom design on purchased eyelet, I could easily check to make sure all the stitching landed on fabric rather than over eyelet holes. I can see why everyone loves this feature so much!

btw - Here's a screen capture from the 830 Emulator CD. It's just like playing on the real machine, except all the stitching is virtual. A great way to learn about the machine without actually having one in front of you! Visit your local BERNINA shop for details.

Hello, Everyone!

I am so pleased to have the opportunity to talk to you about the excitement the 8 Series launch has created here at our BERNINA consumer event. It was such a proud moment when after six years of development, we were finally able to reveal this incredible machine and share its features with the world. The engineers and developers in the BERNINA factory in Steckborn Switzerland have worked countess hours to create a big, beautiful BERNINA - spacious and comfortable, speedy and full of benefits that will make the creative sewers world more enjoyable and more efficient… that nothing compares to the feeling of its debut.

And now, you too can experience all the precision and exclusive features the 830 has to offer here on bernina8series.com. This enlightening and interactive website provides everything you will want to know about the 8 Series, including videos that illustrate its outstanding space, unsurpassed speed and ergonomic genius.

So go ahead and check out the machine that has changed the history of sewing. We hope it inspires you as much as it has everyone here at BERNINA.

Talk to you soon! And remember to keep checking back for more entries and details on the magnificent 8 Series.

The second pocket is all one color; I used the same variegated Oliver Twists thread as on my Miranda Bag, mostly brown and green with just a bit of blue & purple. I had another spool in a similar but much lighter colorway, which I used to update one of my favorite linen shirts, made several years ago from McCalls 8740, now out of print.

I used the same design as on the pocket, but added a border design from the Border Embroidery Set; both designs have the same hand-look stitch pattern. The lighter thread matches the color value of the linen, and the slight sheen of the cotton thread plays nicely on the handkerchief linen. I also changed the buttons (having lost four of the nine buttons on the shirt); the replacements are dark mother-of-pearl with just a bit of green & blue that repeats the hues of the stitching.

Begin with a new, blank design in the software. To figure out where to place your lines, you can measure the project carefully and follow the grid in the software as you draw, or you can scan the project and import the image directly into the software to trace around.

In this picture, I am measuring my ribbon with the gridded template for the large oval hoop. The ribbon measures four squares across.

And in this picture, I scanned the ribbon and imported the image into the software. The ribbon fits into four squares across on the grid.

To draw the placement lines, I select the Open Object tool, making sure that the Single stitch is selected. Then, using left mouse clicks, I draw a line on each side of the ribbon, making sure to stay inside the hoop, and press the Enter key after each line that I draw. Pressing the Enter key is like telling the software, "Okay, I've finished drawing this line, you can turn it into stitches now!" When I've finished drawing, there are stitching outlines on each side of the ribbon inside the hoop.

(You will notice in these pictures that I removed the grid on the screen so you can see better; in the software, right click on the Show Grid button to take the grid away or bring it back.)

Next, I import the other design elements, using the placement lines as a guide to arrange the designs. I make sure that the designs are exactly where I want them inside those placement lines, keeping in mind that they represent my actual project.

The final step in the software is to make sure that the placement lines stitch out very first thing in your design. Use the Slow Redraw tool to watch how the design will stitch out in the software. If your placement lines are not stitching out first, move them to the beginning of the design by selecting the placement lines, and choosing Sequence to Start from the Arrange menu.

And that's all there is too it! Don't forget to use a practice stitch out with your placement lines to see how the design fits within the lines. Also, you can hold your project up to the stitch out to see how your placement lines match up to your project. Make any adjustments needed before stitching out the real thing. Check back with my last post to see how I hooped and stitched out this project with the placement lines.

Placement lines are used with the un-hooped method of hooping, and create guide lines to help you in placing your project down in the hoop. I used this method to make this embroidered bookmark.

Here's an example of how it works. First, only the stabilizer is hooped and set on the machine. The placement line stitches out first, in this case I am embroidering a design on a piece of ribbon, and the lines show me where to line up the ribbon.

Once the placement line has been stitched, I remove the hoop and can easily lay down my project, lining it up exactly with the lines, using either temporary spray adhesive to hold the project down, or OESD's Stabil Stick stabilizer.

The hoop, project and all, goes back into the machine to finish stitching.

And look - it stitched PERFECTLY! Now how cool is that?

Not only does this method work for embroidery on ribbon, but it really helps with things like collars, cuffs, corners, pockets, and anything else that needs perfect placement.

Okay, so you're probably wondering how those placement lines got there, right? It's easier than you might think, and my next blog will have a quick description of making placement lines using the drawing tools in the Designer Plus V5 software.

Next I select the Mirror-Merge Horizontal & Vertical Tool from the menu located at the bottom left of the screen, and three other outlines of the design appear on the screen. As I move the cursor around, it changes the position of the three other outllines.

When I have the outlines positioned EXACTLY where I want them, I can right click the mouse button or hit the enter key, and the designs will appear in place. Now I have a completely new design!

Now here's the really cool part; you have the option of creating a little embroidery collage using the Insert Design function before using the Mirror-Merge tool! I started with several of the Creative Genes designs, then used Mirror-Merge to create this final large design. I used the Happy machine to stitch it out in the 12" x 12" hoop, and turned the final product into a tote bag.

Keep your eyes out for the next issue of Through The Needle magazine for more information on this project!

The center square of this block is the perfect place to feature your favorite embroidery design; this one is the Redwork Cardinal from www.embroideryonline.com.

All sorts of variations are possible: create your own fabric for the star using some of the Stitch Recipes at www.berninausa.com, substitute applique for embroidery, make the block into a tote bag instead of a pillow, make several blocks and create a small grouping - three single block mini-quilts hung side by side, nine blocks joined to form a square, etc.

As a brand new National Educator for Bernina, it was my job at the Festival to show off the Happy embroidery machine. This machine is fascinating to watch, and lots of folks stopped to watch it stitching out embroidery designs. For those of you new to machine embroidery, the Happy uses 12 needles, allowing you to use 12 different colors at once - and will even cut threads and change between colors automatically. Yes, it is exactly as cool as it sounds!

Here I am with Alice Voss, Marketing Assistant for Bernina of America in front of the Happy machines.

The Bernina booth was a constant buzz of activity throughout the Festival, it was great fun to meet all of the sewing, quilting and Bernina enthusiasts that came to visit. Not only did guests get to play hands-on with any Bernina in the booth, but those that visited us on preview night got to share in anniversary cake and punch!

AND! I was so inspired by all that I saw that I am making my FIRST QUILT EVER with samples that I stitched at the Festival! Check back later for pictures of my first quilt - and tell what you think!